Majestic Morning, Norfolk Is.

$2,400.00 – $5,800.00
Size
Frames
-
1
+
Print Dimensions:
INTERNATIONAL PRINT ORDERS:

Due to high shipping costs, prints being delivered beyond Australia will be shipped unframed if they are larger than 30”. If you require a quote for a print to be shipped overseas with frame, please contact us.

Catalogue Number: NCF011633-37
Edition: 300
Image Ratio: 3:1
Majestic Morning, Norfolk Is.

$2,400.00 – $5,800.00
Size
Frames
-
1
+
Print Dimensions:
INTERNATIONAL PRINT ORDERS:

Due to high shipping costs, prints being delivered beyond Australia will be shipped unframed if they are larger than 30”. If you require a quote for a print to be shipped overseas with frame, please contact us.

While shooting The Norfolk Island Chasing the Light documentary with my good mate, Ray Martin, Ray asked me one day where I was going to shoot the next morning. I said I thought the light would be happening at Anson Bay. Ray pointed out I’d be shooting away from the sunrise, and I told him that’s often the best way to shoot, with the light coming from behind to illuminate the scene. Ray decided he was going to Ball Bay to shoot into the sunrise. As a joke I said, “Ray, you might balls thing up at that location.” Before first light we headed for our chosen locations - at opposite sides of the island. My first shot at Anson Bay was The Pulpit. The rocky ledge features what look like two rabbit heads. As the scene before me went from spectacular to utterly glorious, I thought of Ray, an avid South Sydney (Rabbitohs) supporter. “Ray, I think you blew it.” A double bunny sunrise then, to top it off, as I moved further along the beach, a miraculous double rainbow.
Catalogue Number: NCF011633-37
Edition: 300
Image Ratio: 3:1
Majestic Morning, Norfolk Is.

Description
Additional Information
About Your Print
Packaging & Delivery
Reviews (0)
While shooting The Norfolk Island Chasing the Light documentary with my good mate, Ray Martin, Ray asked me one day where I was going to shoot the next morning. I said I thought the light would be happening at Anson Bay. Ray pointed out I’d be shooting away from the sunrise, and I told him that’s often the best way to shoot, with the light coming from behind to illuminate the scene. Ray decided he was going to Ball Bay to shoot into the sunrise. As a joke I said, “Ray, you might balls thing up at that location.”Before first light we headed for our chosen locations - at opposite sides of the island. My first shot at Anson Bay was The Pulpit. The rocky ledge features what look like two rabbit heads. As the scene before me went from spectacular to utterly glorious, I thought of Ray, an avid South Sydney (Rabbitohs) supporter. “Ray, I think you blew it.” A double bunny sunrise then, to top it off, as I moved further along the beach, a miraculous double rainbow.
Description
Additional Information
About Your Print
Packaging & Delivery
Reviews (0)
While shooting The Norfolk Island Chasing the Light documentary with my good mate, Ray Martin, Ray asked me one day where I was going to shoot the next morning. I said I thought the light would be happening at Anson Bay. Ray pointed out I’d be shooting away from the sunrise, and I told him that’s often the best way to shoot, with the light coming from behind to illuminate the scene. Ray decided he was going to Ball Bay to shoot into the sunrise. As a joke I said, “Ray, you might balls thing up at that location.”Before first light we headed for our chosen locations - at opposite sides of the island. My first shot at Anson Bay was The Pulpit. The rocky ledge features what look like two rabbit heads. As the scene before me went from spectacular to utterly glorious, I thought of Ray, an avid South Sydney (Rabbitohs) supporter. “Ray, I think you blew it.” A double bunny sunrise then, to top it off, as I moved further along the beach, a miraculous double rainbow.
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Copyright © All images, products and IP are copyright Ken Duncan. All rights reserved.

Copyright © All images, products and IP are copyright Ken Duncan. All rights reserved.